Fry-Leela relationship

The relationship between Philip J. Fry and Turanga Leela is a recurring theme and a story arc on Futurama.

Overview
The seeds of Fry and Leela’s relationship are planted in “Space Pilot 3000”, in which Fry and Leela connect over their mutual loneliness. In the first two seasons, Fry and Leela often clash due to their conflicting personalities, though it is clear that they value each other’s friendship and Leela is shown to have a soft spot for Fry. Fry is shown to be physically attracted to Leela and often propositions her, though she frequently turns him down. However, several episodes, including “A Flight to Remember”, “Xmas Story”, and “War is the H-Word”, hint that the two may share deeper feelings for each other.

“Parasites Lost” marks a turning point in their relationship as Fry admits his love to Leela for the first time. While Leela ultimately rejects him at the end of the episode, the plot of the episode provides Fry impetus to improve himself in hopes of winning Leela’s affections. Throughout Season 3 & Season 4, Fry performs numerous grand romantic gestures in order to win Leela over, though she remains reluctant to date him due to his immaturity. It isn’t until “Bender's Big Score” that Fry displays the maturity that Leela desires. At the end of “Into The Wild Green Yonder”, Fry and Leela finally confess their feelings to each other. The two maintain an on-again, off-again relationship throughout Season 6 which develops into a committed stable relationship early in Season 7, culminating in their marriage in “Meanwhile”. While the marriage is undone in Season 8's timeline, Fry and Leela continue to be a stable couple, with Leela even moving into Apartment 00100100 to live with Fry and Bender.

Together, we’re lonely together.
Leela's first response to Fry is indifference. She refers to him as "Just a guy from the Stupid Ages." Fry's first response to Leela is lust. Just before he meets her, he finds that he likes how she looks from behind. His lust is tempered somewhat when she turns around, revealing that she is a cyclops. It returns quickly, as he soon gets used to her. They begin to form an emotional bond from the very beginning, finding that they have in common the fact that they're both alone in the world: Leela because she grew up as a cyclops-orphan, and Fry because all of his people from the 20th century are gone.

The two remain fairly constant friends throughout the series, Leela mostly uninterested in romantic possibilities, and Fry occasionally realizing that he has a crush on Leela, a crush that usually takes the form of either crude lust or goofy gallantry. But for quite some time, they don't seem to think of each other very much. In "Love's Labours Lost in Space", Leela is looking for a man and doesn't even consider Fry. When the crew all go out to a bar, Leela goes home alone and Fry goes home with a woman from the 21st century. Fry has many flings with other women, as in "Put Your Head on My Shoulders", and objects, as in "The Lesser of Two Evils", while Leela plays the field a bit too, nearly marrying Alcazar in "A Bicyclops Built for Two". Still, they are friends, as can be seen when Fry is upset over Leela's apparent death in "My Three Suns", and when Leela risks her life to save Fry from Santa in "Xmas Story".



Leela's scheme of using Fry to avoid Zapp Brannigan during their Titanic cruise in "A Flight to Remember" leads to some romantic opportunities, but they are complicated by Amy's scheme to use Fry to fend off her parents. Leela reveals that she has at least some feelings for Fry, even if she doesn't realize it: she is jealous when Fry kisses Amy. When Fry and Leela have a quiet moment together, they talk about the loneliness that they share in common, and they see each other as love interests for the first time, almost kissing, although the kiss never happens due to the ship beginning to sink at that very moment.

A similar situation, as touching but less romantic, occurs in "Xmas Story", as Fry and Leela, expecting death soon at Santa's hands, huddle together under a branch of mistletoe. Again, their kiss is interrupted. Although it's not as romantic as their interaction on the Titanic, the moment shows their deepening friendship. Another sign of their friendship that comes with a hint of romance is Fry's response to Leela's involvement with Alcazar. Fry reacts with apparent jealousy at first, but on reflection, realizes that he just wants Leela to be happy. Here he shows a sign of maturity, something he doesn't often do. As we find out in a later season from Leela, her biggest complaint about Fry as romantic material is his tendency to be childish.

Please don’t stop playing, Fry. I want to hear how it ends.
The relationship follows a mostly steady course for a long time. Fry and Leela remain close friends and become closer as time goes on. Fry plays the field but occasionally has bursts of lust, crush feelings, and rarely, something deeper for Leela. Leela also plays the field, but not so vigorously as Fry. In "The Deep South", when Fry announces his plans to live at the bottom of the ocean, Leela asks, "but what about us?" This, as well as Fry's behavior towards Amy in "Put Your Head on My Shoulder" indicates that Fry was either not capable or unwilling to sustain a romantic relationship with either Umbriel or Amy, and Leela either directly or indirectly helps him escape these relationships. When he begins pursuing a relationship with Leela, it was after two years of ignoring her in favor of other women. In "I Dated a Robot", she helps him to find a robot celebrity personality to "to be romantically linked with."

Leela shows that in spite of her usual silence, she does have feelings for Fry at some level. In "War Is the H-Word", Fry mentions in front of a disguised Leela that he "has a thing" for a girl back home. She clearly knows that he is talking about her, but she prompts him for more details on this girl back home, basking in his flattery. As gratified as she is by his comments, she must be equally disappointed by his blank stare in "The Cryonic Woman", his response when, attempting to remind him what a career chip is, she says, "It's how we met."

At a fuel station in "Parasites Lost", Fry attempts vehemently to defend Leela's honor, but he expresses his feelings clumsily, referring to her as his "captain" rather than making any reference to his feelings for her. He then goes on to fail miserably at defending her honor, in fact providing his opponents with ammunition and even inadvertently insulting Leela outright. Leela's frustration with Fry's ineptitude is clear. Leela starts to swoon as soon as Fry, having eaten a parasite-laden sandwich, shows the slightest sign of being something other than a buffoon. Her swoon disappears just as easily when Fry convinces the parasites to leave his body. In the closing scene Fry begins practicing the holophonor and shows by its projection that his feelings for Leela remain.



The friendship deepens in "The Cyber House Rules", as Fry makes an effort to convince Leela that she doesn't need a fake eye grafted onto her forehead. When she finally has the fake eye removed, she tells Fry that he is "a true friend." Trying to convince Fry that he is human rather than a robot in "Insane in the Mainframe", Leela gives Fry a steamy kiss, but Fry retains his delusion and only beeps at her in response. He gets another kiss later, but only on the cheek.

Fry seems to be on a mission to win Leela's heart in "Time Keeps on Slippin'". He starts off cool, offering Leela a romantic ride in one of the swan "boats" that aren't actually swans. Later, while they're in space collecting chronitons, he comes on again, suggesting that she and his face get to know each other better. When she rejects him, he says, "Come on, Leela, why won't you go out with me? We both know there's something there." When the Earth basketball team loses Arachneon to a cannon incident, Fry volunteers to replace him, again, with the intention of impressing Leela. Later, Fry lures her to a love nest, claiming that it's a time-proof chamber that will protect her from the time skips. A time-jump occurs just after he says something crude--now Leela is gone and Fry has a black eye.

Leela talks to Zoidberg about Fry, indicating that she likes him but is turned off by his immaturity. This is an important point on Leela's part: Fry's immaturity is the only thing that holds her back. It forever remains the central theme of their relationship, at least until they are finally married in "Meanwhile". However, other than the short-lived fling of Parasites Lost, this is the first positive sign of any kind from Leela: the fact that she'll complain about him rather than ignoring him. Still, when Fry barrages her with flattery and asks her out, she says that they are just too different, he being a man and she being a woman. She walks away from him without hesitation when Bender distracts her.

Fry makes another attempt to impress Leela by showing her that he has learned how to pilot the ship. She is impressed with him, but she is totally turned off to think that he learned the skill strictly to impress her. Just in the middle of her exclamation that there's no way they could ever be together, time skips forward to their wedding ceremony. But Leela is convinced that she has been duped, and after time skips forward a couple more times, they are divorced.

They have one last conversation about their relationship, in which they agree that Leela will never feel about Fry the way he feels about her, under any circumstances. Fry obsesses about and eventually discovers the means by which he convinced Leela to marry him, but Leela never gets to see it.

We find out more about Leela's attitude toward relationships in general and Fry in particular in "Love and Rocket". She apparently agrees with Farnsworth when he suggests that she is a "bitter husk of a human being who long ago abandoned hope of finding love in this lifetime." Fry latches onto the idea that he can find a perfect way to express his feelings by digging through the candy-hearts for the right message. He doesn't listen Leela's advice, "I'm not attracted to a guy's message, Fry. I'm attracted to the guy." She indicates that Fry is blowing it by adding under her breath, "Or not." Later, she is scandalized that Bender is having an affair with the ship. But on reflection she concedes, "given the chance, I'd give in to urges far more shocking." So she would give in to shocking urges, but not give in to Fry's advances. Fry is clearly far down on her list.

Finding Fry unconscious after disabling Planet Express ship, Leela seems touched, mostly by the fact that Fry was willing to sacrifice his life to save hers, but also in part by the aptness of the message inscribed on the candy that Fry coughs up when she resuscitates him: "U leave me breathless." The phenomenon created by dumping the candies into the black hole warms Leela up enough to hold hands with Fry briefly; Zoidberg makes sure that the moment doesn't get too deep.

At the home of Leela's parents in "Leela's Homeworld", there is a sort of shrine composed of items Leela has flushed down the toilet throughout her life. Fry notices on this shrine a letter from himself to Leela, which he describes as "full of my personal feelings." He doesn't say "for you," but it seems that this is indeed what he means. Again Fry is clearly far down on her list, or at the very least she's actively trying to keep him there.

Teenage Fry goes to the Turanga home to take Leela out on a date in "Teenage Mutant Leela's Hurdles". Fry puts his arm around Leela while they race Moose and Mandy, but she swerves the car to get him to move away from her. After Leela has saved the crew from "pre-life", as she reflects that she is happy with her choice to return to adulthood with her friends, she and Fry share a meaningful glance, but nothing more.

Fry, feeling ashamed and insignificant after missing a delivery mission in "The Why of Fry", wants to make it up to Leela, and possibly prove his worth as a person, by taking her out to dinner. Not only does Leela reject him categorically, she also explains that she is going out with Chaz, the mayor's aide. When Fry and Leela cross paths while she is out on her date with Chaz, Fry has a brief moment of happiness, hoping that the date is not going well. Leela crushes his hopes when she tells him that the date is going very well, asking him to walk Nibbler.

While Fry from the future argues with Nibbler of 1999, Fry mentions that he has feelings for Leela, but also that she doesn't care for him. Nibbler offers to help Fry with respect to Leela, if Fry will agree to push his 1999 self into the cryo-tube. Fry is won over to Nibbler's request when Nibbler frames the issue as "save yourself or save Leela." On returning to the office from her bad date with Chaz, Leela has Bender burn Chaz' face out of a photo of Leela and Chaz together. While Leela looks at the photo with a hole in it, Fry walks into the room and appears, from Leela's perspective, in the hole where Chaz' face had been. Leela is happy to see Fry, and actually gives him a kiss on the lips.

After their harrowing escape from the space-bees in "The Sting", Fry realizes that he doesn't want anything to happen to Leela, and comments that they need to be more careful. When the baby queen space-bee attacks, Fry puts his body between the bee and Leela to protect her. While Leela is in a coma she seems to have a lot more affection for Fry than she ever has before, perhaps prompted by Fry's death. In one of Leela's coma-dreams, Fry is very romantic, and she enjoys it. The alert viewer might notice that something is clearly amiss with Fry being fantastically romantic with Leela, given that Fry's previous attempts at romance, even when genuine, are usually clouded by his own immaturity and poor ability to express himself. When jelly-Fry comes into being, Leela expresses great relief that "Fry" is now alive. She says nothing about feelings for him, instead centering her obsession on her guilt with, "Feeling responsible for your death was driving me mad."

When Leela has reached the end of her rope, she muses, "The only time I feel alright is in my dreams," then looking at Fry's picture she adds, "with you." Perhaps here we see that Leela has feelings for Fry that she's not entirely conscious of--she constantly denies having such feelings but here she clearly has some. Fry's photo says to Leela, "I love you," but her hallucinations frighten her so much that she is unable to respond. When Leela wakes in the hospital, we realize that everything Fry said in her coma-dream was said by the real Fry at her bedside for two weeks. This is not the first time Fry has said, "I love you" to Leela, but perhaps going through this experience has matured him somewhat, which would finally give some weight to the words. Their embrace, lacking a kiss, suggests that even if Leela has begun finally to see the desired maturity in Fry, she's still comfortable being just friends with him.

The opening scene of "The Farnsworth Parabox" shows Fry making a surprisingly determined effort to get Leela to go out with him. Leela clearly isn't going for the idea, as she cowers away from Fry on the other side of the couch and finally rejects his request with, "I have sweaty boot-rash!" Later, she shows that she knows Fry very well, in spite of any budding feelings she might have for him: after distracting Fry and Bender with the decoy box, she says to herself, "That'll keep those dopes occupied."

In Universe "One", Fry and Leela are married. Leela "One" tells the story to the others. The story makes it clear that Fry is indeed capable of impressing Leela, and not just on one date, but over the long term. After everyone goes back to their home universes, Fry asks Leela once again to go out with him. Leela flips a coin, but, apparently beginning to consider him a possibility, decides against looking at it, and simply accepts his invitation.

In "The Devil's Hands Are Idle Playthings", Fry practices the holophonor in the hopes of making Leela like him. Never having indicated musical inclination before (except briefly in Parasites Lost), he says that he hears great music in his head. Leela, never having indicated musical appreciation before (except briefly in Parasites Lost), tells the story of Sean, a loser whom she loved primarily because of his musical talent. The stage is set for an exploration of the relationship between Fry and Leela.

When he first receives the Robot Devil's hands, Fry exclaims, "At last I'll have the power to make Leela love me!" While it's clear where Fry stands, Leela is harder to read. While attending a large performance by Fry, Leela sheds tears, but we don't know which kind of love they might indicate. She and Fry have become close friends over the years, but she has only briefly shown flickers of interest in him. When Fry announces that he will make his opera about her, she plays very coy, pretending to be surprised. Everything changes when Leela hears Fry's music, when she shows that she is the same woman who dated Sean: she immediately falls for Fry and gushes about his enormous creativity. In his opera, Fry describes Leela as "the woman that I idolize." The opera itself is a glorious example of this sentiment, but for now, it's the best Fry can do, and for now, it seems to be enough for Leela. After all the other opera patrons abandon the theater, Leela asks Fry to show her the ending, even if necessarily performed by his human hands.

You're you. That's all I need to know.
Fry's emotional repertoire grows just enough to include long-standing jealousy in Bender's Big Score. Leela falls in love with and almost marries Lars (who is a future version of Fry), a clear indication that it truly is only Fry's immaturity that makes her dislike him, as maturity is the major difference between Fry and Lars. Back in the 21st century, the Fry who becomes Lars reconnects with his family and his life, but pines for Leela, until he starts a long relationship with Leelu. At Lars' memorial service, Leela seems to have a new appreciation for Fry, but she doesn't articulate it, and Fry moves on to a different woman in The Beast with a Billion Backs.



In Into the Wild Green Yonder The two admit their feelings to each other with Fry saying "I love you" to Leela, and Leela finally saying "I love you" back to Fry. They even share a passionate kiss. But this occurs as they're flying into a wormhole with the expectation of never returning. This could have been the end of the show had it not been picked up by Comedy Central.

What I’ll remember is our time together.
In "Rebirth", Fry and Leela pick up where they left off at the end of Into the Wild Green Yonder, only more so. When Fry's remains dissolve to nothing in Farnsworth's stem cell vat, Leela is so grief-stricken that she creates a robot-Fry. This is a surprise, given Leela's historical cool-headedness about their relationship. Perhaps losing him has intensified her newly warming feelings for him. It is no surprise that robot-Fry creates a robot-Leela.

Fry expresses his feelings more vehemently than ever before, saying, "I love Leela, always and forever." Hearing Fry say this, Leela unambiguously expresses love for Fry. More kissing occurs.

Fry shows that he has in fact grown a little, when, after the robots run away together, he tells Leela, "I waited a thousand years for you. I can wait a little longer." The relationship ultimately hits the "reset" button again in this episode with the couple going back to a "on again off again" status but not quite officially together until later in the series.



In "The Duh-Vinci Code". While exploring the catacombs in Rome, Fry finds a pretext for proposing sex with Leela. No surprise there, but shockingly, Leela glibly agrees. The deed never actually occurs, as the Professor interrupts them.

The relationship is the central theme of "The Late Philip J. Fry". At the beginning of the episode, Fry has a lunch date with Leela to celebrate her birthday. Fry is late to this date which becomes a running theme for the episode. She chews him out, suggesting that she is becoming emotionally invested in him. Further, when Bender invites Fry to Hedonismbot's party, Leela angrily tells him to go to the party rather than taking her to dinner. She is clearly inviting him to reaffirm his commitment not only to their dinner, but to her in general. He does the right thing by her, re-committing to the dinner date.

After the accident with the time machine and the accident at Hedonismbot's party, Leela believes that Fry is dead. While Fry is lost in the future, we get two brief glimpses of the life Leela lived after he disappeared. The first glimpse, 20 years later, shows no sign of Leela being attached, but she flirts with Cubert when he momentarily reminds her of Fry. The second glimpse, a further 20 years later, reveals that she and Cubert married at some point after the flirtation but are now divorced. When Fry's birthday card appears out of thin air, she realizes not only that it was not his fault that he missed their date, but also that he did not die in a horrible accident. She realizes now that her time with Fry had been the happiest time of her life. She uses a laser gun to leave a message that will eventually be read by Fry.



The relationship takes a step forward in "The Prisoner of Benda": When Fry reassures Leela that she is "the most beautiful woman in the world", she changes direction, scolding him for shallowly being interested only in her looks. She gets really carried away with this idea, and eventually swaps her mind into Farnsworth's body to allow Fry to "prove" his love to her. For Fry, always wanting to prove his love to Leela in some grand and often ridiculous way, this is a golden opportunity. All he has to do to prove his love (and defend his honor) is pretend that he is turned on by Farnsworth's body while Leela occupies it. But he is a bit grumpy about her challenge, and wants revenge: he swaps his mind into Zoidberg's body and returns her challenge, forcing her to pretend that she is turned on by Zoidberg's body while Fry occupies it. They both finally find that they are indeed attracted to each other, even in hideous bodies, which leads to them having sex.

Fry follows his usual formula for Leela in "Lrrreconcilable Ndndifferences": he wants her for reasons he probably doesn't understand, and childishly fantasizes about winning her heart by saving her from a space-monster villain. Although in the previous episode they were hot and heavy, by the end of this episode the best Leela can muster is an extended kiss on Fry's cheek. Nothing much changes in "The Mutants Are Revolting". Although Fry and Leela attend Mrs. Aster's gala together, it's business as usual for them. When Fry arrives in the sewer, the main thing on his mind is to impress Leela by sharing the suffering of the mutants. Although Leela is angered by his shallow notions of their suffering, she is ready to forgive fairly soon. Still attempting to impress her, Fry goes for the grand gesture again, by jumping into Lake Mutagenic. Leela is impressed, even to the point of wanting to kiss Fry, but not enough to overcome her aversion to Fry's grotesque body--she refuses to touch him. Later, celebrating the success of their social movement, Leela warms up enough to kiss the still-"mutated" Fry on the lips.

It's business as usual in "Fry Am the Egg Man". Leela's not interested, as we see when she shows interest in Angus McZongo and calls Fry her "strictly platonic friend."

In "Cold Warriors", we see a few nice moments between them as the episode ends with Fry confiding in Leela about his relationship with his father

Leela demonstrates that she does at least sometimes think about their relationship. She talks to Fry openly about it in "Overclockwise", describing it as "on-again, off-again". She muses about the future they might have together and has the same concern she always has: his immaturity. He reminds her of it with his starry-eyed suggestion that he would always be happy if she were to love him. We see Leela reading a magazine article that illuminates the current state of their relationship: it is entitled "Is Your Dead-end Relationship in A Rut?" She finally decides to leave the defunct Planet Express to make a fresh start with her life, "breaking up with" Fry in doing so. Fry tries to argue, "But I thought we..." he can't finish his sentence, perhaps underscoring his immaturity one last time. Perhaps if he really knew what he wanted out of life, he would have said something like, "But I thought we would grow old together." Leela moves on with her life, but ultimately returns, clearly indicating that she returned primarily because of Fry. Bender has anticipated Leela's request for a description of their future; as Fry and Leela read it together, their faces indicate that Bender has predicted a happily-ever-after story.

Wanna go around again?
The next season of the series shows the couple in genuine relationship. The reset button is not hit again after Overclockwise. By the time we reach "A Farewell to Arms", they seem to be a couple. Throughout the episode, Fry looks for ways to impress Leela and show her his love. She appreciates his solicitousness, but finds it unnecessary, and later downright dangerous to her. Early on, her reaction to his behavior is, "I appreciate your gallantry, but isn't this a bit much?" Later, she advances to "Your noble gestures keep making things worse," and "Fry, stop trying to do things for me!" And finally, after his favors continually result in inconvenience and injury, "Every time he says he loves me, I get killed!"

Although she is warming to the idea of Fry, as we can see when she proposes sex on the Planet Express balcony, she has no illusions about him, still seeing him as sweet but a doofus, as when she responds to his "lucky pants" comment with "Awww...Also, oh lord." Although Amy interrupts their attempt at sex, they do manage to share a kiss on the lips. Fry makes another gallant gesture by using his pass to Mars to create a fake pass for Leela, choosing himself to stay behind and die with the earth. Leela sheds a few tears for her loss after arriving on Mars, but of course cries out, "Fry, you noble idiot!" when she realizes that he has sent her to her death on Mars.

When the Earth is not destroyed, Fry and Bender sit around drinking; it's no surprise that Fry seems not to realize that Leela is still alive, that they could be reunited. When Mars passes close to Earth, Leela needs help to get back home. Fry runs to help, but Leela calls out, "Or somebody else could do it!" Fry tells Leela to take his hand, something he has been doing all episode, but Leela responds, "I don't know, bad things happen when you say that." It is Scruffy who actually ends up saving Leela, but only after Fry and Leela each lose an arm in Fry's rescue attempt. Fry apologizes to Leela, but her response is gratitude that he was willing to sacrifice himself for her, and although he failed miserably in his attempt to rescue her, that he is the only person who loves her enough to try. The episode closes with a view of their severed arms floating through space; symbolically, the arms are not separate, but holding hands, presumably for eternity.

In "Zapp Dingbat", Leela has no hesitation in sending Fry away to keep watch over her father. But when he convinces her that Munda's happiness matters more than Leela's scruples, she is finally seeing signs of the maturity she has always hoped for. When he suggests that he himself might be marriage material, Leela astounds both Fry and the audience with, "You're getting there," and a kiss on the cheek. At the beginning of "The Butterjunk Effect" We see Fry and Leela dine with Kif and Amy. Leela describes the group as "Two happy couples on a double-date." When Leela first starts taking the stimulants, she loses interest in Fry. She finds him irresistible when he is covered with butterfly pheromone. But then, Amy also finds him irresistible too. Defending her territory, Leela refers to Fry as "my boyfriend." After the stimulants have worn off and Fry emerges from the giant butterfly's body, Leela seems no happier than the others to find him back to normal.

We see more of the dynamic in "Fun on a Bun". When Fry gets embarrassingly drunk at Oktoberfest, which by now has become a stately and refined affair, everyone but Leela abandons him. Leela stays a little longer to glare at him, perhaps contemplating her next move. She finally arrives at a decision and says that she is "breaking up with" him. Of course, Fry reacts in surprise at the idea that they were dating, but that is not any reflection on the state of the relationship; it is simply a reflection of Fry's lifelong cluelessness (or perhaps drunkeness). At Fry's memorial service after his apparent death, Leela again refers to him as her "boyfriend", although in the context of having broken up with him. Both grief-stricken and guilt-ridden over Fry's death, Leela has all of her memories of Fry surgically disconnected from her conscious mind. But Leela's conscious mind is no match for her unconscious, which still cares about Fry: when she finds a chicken hat on the ship, and later, while staring at a pumpkin (about the same color as Fry's hair), she feels inexplicably sad. Fry, having lost all of his memory due to a blow to the head, has a similar experience while staring at a "prehistoric pig butt" with a purple tail. During their hand-to-hand battle, both Fry and Leela lose their head coverings, revealing their hair to each other and causing a spark of recognition in both of them. Even before they fully remember each other, they start making out. That's a first. Even after finally recognizing him, she continues making out with him; there is no sign of their previous breakup.

In "Free Will Hunting", Fry laments the loss of Bender while lying comfortably in bed with Leela. In "Near-Death Wish", Fry even neglects Leela a bit, as he rebuffs her advances due to his tunnel vision over Farnsworth's parents. There are a few more episodes that don't touch on their relationship, although the non-canonical "Naturama" throws a bone to diehard fans who really want the two together. Fry and Leela the salmon agree even as juveniles to mate when the times comes. They spend their time together as they mature. Tragically, as they return to their spawning grounds, they find that they came from different originating streams, and must separate. Fry eventually finds that he can't cope with the separation, and risks life and limb to be with her again. They die happily ever after. Later, Leela the elephant seal is interested only in the beachmaster, not even aware of Fry's existence.

The genuine arc of their relationship continues in "Fry and Leela's Big Fling". For reasons unexplained, they keep it a secret from their co-workers, but they are otherwise clearly dating happily. Leela seems to have adjusted to Fry's goofiness, enjoying the ambience that Fry has created for their rendevouz using items he found around the office, such as post-it notes and white-board markers. They even have progressed to the point that they go on a romantic and secluded vacation together. They have a lovers' quarrel when Leela's old boyfriend Sean shows up, but Leela remains committed to Fry. Still, there is some mystery left concerning their love. When introducing Fry to Sean, she says, "He and I are..." and then, "What would you say we are, Fry?"

When Fry goes missing in "T.: The Terrestrial", Leela notices, and when Bender tells her that Fry is out buying flowers for her, she responds warmly. Later Leela finds herself knocking on Fry's door, reminding him that they had a date. She seems unsurprised to hear that Fry is drunk and is standing her up, and she even departs with a genuine and cheerful "I love you!" When Fry returns home, Leela, believing that he was never gone, and believing that it was Fry, not Bender, who made out with her in a dark closet, whispers to him, "Things sure have been going great between us." And things continue to go well, as the episode ends with them, that is, Fry and Leela, making out.

In "Leela and the Genestalk" we find that all is still well with them, when Fry offers Leela a kiss to console her over her squidification disorder. Of course she is not consoled, but she does return his kiss, even if half-heartedly. In the advanced stages of the disorder, Leela tries to break up with Fry, being unable to imagine what kind of future they can have together. When Leela is cured of squidification, they appear to go back to the love that has been steadily growing for many episodes now. Leela guards her territory in "Game of Tones", forbidding Fry to have sex with his ex-girlfriend in a dream, and later asserting her exclusive right to dump Fry. In fear of Blorgulax, Leela turns to Fry for comfort "Murder on the Planet Express". Attending Bender's dance audition in "Stench and Stenchibility", the couple sit with arms around each other. Leela even henpecks Fry a bit, dragging him away from a conversation with Bender after Bender makes an offensive remark.

In "Meanwhile", Fry pops the question and goes for a grand gesture, awaiting Leela's response in person at the top of the Vampire State Building. Although Fry doesn't realize it at first due to his promiscuous time-traveling, Leela intends to agree to marry him. After Fry breaks the time button, he re-proposes to Leela. Her response is perhaps the most romantic thing either one of them has ever said to the other: "I would marry you even if you weren't the last man on Earth." They accept their fate and go on with their lives, get married, and have a life full of adventure backpacking. They happily grow old together. Fry asks Leela whether she found it lonely. She responds, "I was never lonely. Even for a minute."

The episode ends on a bittersweet note. When Farnsworth tells them of his plan to repair the space-time continuum, Fry asks Leela, "What do you say? Want to go around again?" Leela responds, "I do."

Trivia

 * The "" is their song.


 * Fry and Leela attended the Planet Express prom together.


 * Fry and Leela have differing opinions about ', with the former expressing frustration about the latter’s dislike of the ' attraction.


 * Leela thinks Fry’s “jelly belly” is adorable.


 * Pet names that Fry has called Leela include “Leels”, “honey”, “dear”, and “my love”.


 * Fry and Leela’s first on-screen sexual encounter occurred in the non-canon “Anthology of Interest I”. Their first canon on-screen sexual encounter occurred in “The Prisoner of Benda” while the two were stuck inside of Farnsworth and Zoidberg’s bodies. However, there are hints that the two already shared a sexual relationship prior to this episode. Their first on-screen sexual encounter in their own bodies occurred in “Free Will Hunting”.

Production
David X. Cohen has stated that the writers did not initially intend for Fry and Leela’s relationship to be a major aspect of the show, believing Fry to be too much of a “moron” to have a chance with Leela. However, after seeing positive feedback to both the Fry-Leela relationship and the emotion of the show, the writers made the decision to develop Fry’s character and make him a more “mature” and “better” person in order to win Leela’s affections.

In an interview conducted at  in 2022, Fry's voice actor Billy West shared his thoughts on Fry and Leela’s relationship: “The most honest character is Fry. He’s pure. He’s not all that bright but he has a big heart and that’s what Leela sees in him. She’s strong, she’s everything he’s not. But she loves him because she sees his heart. She sees his generosity of spirit.”

Appearances

 * This list should include all episodes mentioned above.